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	<title>Comments on: Your First King and Your Favourite?</title>
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	<description>Bringing you closer to the Royal Shakespeare Company</description>
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		<title>By: Geraldine</title>
		<link>http://rscfriends.org.uk/2010/02/16/your-first-king-and-your-favourite/#comment-21</link>
		<dc:creator><![CDATA[Geraldine]]></dc:creator>
		<pubDate>Mon, 22 Feb 2010 19:34:46 +0000</pubDate>
		<guid isPermaLink="false">http://rscfriends.org.uk/?p=167#comment-21</guid>
		<description><![CDATA[I have to disagree most strongly with Seymour as Michael Gambon&#039;s Lear was one of my defining theatregoing experiences. It literally left me speechless as, for 15 minutes after it ended, I couldn&#039;t formulate sentences. Ian Holm is very high on my list as is John Wood with his gigantic mouse and fabulous Edgar (Linus Roache) and Edmund (Ralph Fiennes). Bottom is Robert Demeger&#039;s &quot;attempt&quot; with Deborah Warner. Ugh!]]></description>
		<content:encoded><![CDATA[<p>I have to disagree most strongly with Seymour as Michael Gambon&#8217;s Lear was one of my defining theatregoing experiences. It literally left me speechless as, for 15 minutes after it ended, I couldn&#8217;t formulate sentences. Ian Holm is very high on my list as is John Wood with his gigantic mouse and fabulous Edgar (Linus Roache) and Edmund (Ralph Fiennes). Bottom is Robert Demeger&#8217;s &#8220;attempt&#8221; with Deborah Warner. Ugh!</p>
]]></content:encoded>
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		<title>By: Violet Rook</title>
		<link>http://rscfriends.org.uk/2010/02/16/your-first-king-and-your-favourite/#comment-18</link>
		<dc:creator><![CDATA[Violet Rook]]></dc:creator>
		<pubDate>Wed, 17 Feb 2010 12:24:16 +0000</pubDate>
		<guid isPermaLink="false">http://rscfriends.org.uk/?p=167#comment-18</guid>
		<description><![CDATA[Robert Stephens was a noteable &#039;King Lear&#039;, which I saw at The Barbican.
But I  think that it is often  the combined portrayals of the
Fool and Poor Tom which gives a great production that extra
something.  There have been especially great performances of Poor Tom for example Ronald Pickup and Simon Russell Beale.]]></description>
		<content:encoded><![CDATA[<p>Robert Stephens was a noteable &#8216;King Lear&#8217;, which I saw at The Barbican.<br />
But I  think that it is often  the combined portrayals of the<br />
Fool and Poor Tom which gives a great production that extra<br />
something.  There have been especially great performances of Poor Tom for example Ronald Pickup and Simon Russell Beale.</p>
]]></content:encoded>
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		<title>By: seymour wexler</title>
		<link>http://rscfriends.org.uk/2010/02/16/your-first-king-and-your-favourite/#comment-17</link>
		<dc:creator><![CDATA[seymour wexler]]></dc:creator>
		<pubDate>Wed, 17 Feb 2010 01:10:00 +0000</pubDate>
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		<description><![CDATA[My favorite Lear is Robert Stephens.

The most horrible one was michael gambon only to be saved by the fool who was wonderful.]]></description>
		<content:encoded><![CDATA[<p>My favorite Lear is Robert Stephens.</p>
<p>The most horrible one was michael gambon only to be saved by the fool who was wonderful.</p>
]]></content:encoded>
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		<title>By: Anon</title>
		<link>http://rscfriends.org.uk/2010/02/16/your-first-king-and-your-favourite/#comment-16</link>
		<dc:creator><![CDATA[Anon]]></dc:creator>
		<pubDate>Tue, 16 Feb 2010 10:36:35 +0000</pubDate>
		<guid isPermaLink="false">http://rscfriends.org.uk/?p=167#comment-16</guid>
		<description><![CDATA[I have only seen three Lears and all at the RSC. Nigel Hawthorne in Yukio Ninagawa&#039;s haunting Japanese production, Corin Redgrave and most recently Sir Ian McKellan. My nomination would be for Trevor Nunn&#039;s production with Sir Ian because it felt an important piece of theatre tragic, touching, funny and emotionally draining. I left thinking I would not need to see another Lear for a long while!

Anon.]]></description>
		<content:encoded><![CDATA[<p>I have only seen three Lears and all at the RSC. Nigel Hawthorne in Yukio Ninagawa&#8217;s haunting Japanese production, Corin Redgrave and most recently Sir Ian McKellan. My nomination would be for Trevor Nunn&#8217;s production with Sir Ian because it felt an important piece of theatre tragic, touching, funny and emotionally draining. I left thinking I would not need to see another Lear for a long while!</p>
<p>Anon.</p>
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