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Posts Tagged ‘Harold Pinter’

A feast of Shakespeare’s  HISTORIES during this special holiday week not only enabled me to really appreciate the by now growing strengths of the RSC ensemble, but also the dramatic benefits of the open stage as opposed to waiting for the action to happen once a curtain had risen. The direction of the plays by Peter Hall, John Barton and Clifford Williams (with assistance from Frank Evans) ensured that even before the house lights went down, characters entered and by their very actions and movement prepared us for what was to follow (e.g. in RICHARD II, Bushy, Green and Bagot seemed to conspire in one corner whilst seeming to deliberately disregard John of Gaunt who remained alone at another part of the stage). At the moment the first lines of any of the plays was spoken, the house lights dimmed and we were plunged into a world of politics and warfare, with Shakespeare’s words allowing the story to unfold.

Such dramatic beginnings were most effective and the device continued when the intervals were reached. Certain characters e.g. the gardeners in RICHARD II, the drawers in HENRY 1V -PART I were left on stage as the house lights came up and proceed to move props or items of furniture in readiness for the following scene. This was my first introduction to members of an acting company performing tasks which had hitherto been performed behind  the curtain by unseen stage staff.

Another innovation for me was the use of live musicians in costume  -most effective and exciting especially in the case of drums and trumpets accompanying marching armies. Of course, fifty years on we are used at the RSC to experiencing live music, but in the sixties I was reminded of Prospero’s Line -“Tis new to thee”. 

However, one aspect of the RSC I had not yet experienced was new work. This was to be remedied the following year when I saw Ian Holm (Prince Hal and Richard III during that memorable 1964 season ) in a world premiere of a play specially commissioned by Peter Hall. The play? Harold Pinter’s THE HOMECOMING and the next blog will share some special memories of  fantastic evening in a theatre with a production that became not only a landmark for the RSC but for British Theatre.

Tony Boyd-Williams

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